Andr?Modeste Gretry: Guillaume Tell by Anne Catherine Gillet

The legend of the Swiss national hero William Tell has not been a popular subject with opera composers. Lovers of music probably only remember Gioachino Rossinis Guillaume Tell considered one of his best works. If Rossinis masterpiece is the only William Tell title that is still in the repertoire, it is not, however, the only one that revolves around the famous archers legend, having been preceded, thirty-eight years earlier, by the illustrious example written in 1791 by the Belgian composer Andr? Modeste Grétry for Pariss Comédie Italienne. Grétrys Guillaume Tell was revived in June 2013 at Lièges Opéra Royal de Wallonie to celebrate the bicentenary of the composers death (1813). Gretrys Guillaume Tell was composed to a libretto by Michel-Jean Sedaine based on a drama by Antoine-Marie Lemierre. It is a rather short opera-comique in three acts opening with elements of Swiss colour - ranz de vaches and popular melodies - which give way, in the last two acts, to tensely dramatic writing, pervaded by Sturm und Drang traits; writing that does not always follow the traditional alternation between spoken parts and closed numbers, producing in spots a continuous musical discourse that seems to anticipate Beethoven and his Fidelio. Guillaume Tell is one of the operas that Grétry wrote to endorse - we do not know with how much conviction - the French Revolutions freedom ideals. The opera was staged at the Comédie Italienne on 9th April 1791, at a most turbulent and dramatic moment of confrontation among the various factions that had supported the Revolution, which would eventually result in the notorious Reign of Terror.